17th International Conference on the Short Story in English

17 - 21 June, 2025

Plenary Session Wednesday

Alice Munro: Life, History, Boundaries, Legacy. Wednesday, June 18, 2025 - 1:30 - 3:30 pm

The chair of the plenary is Clark Baise; Maurice A. Lee will serve as the monitor and will introduce the plenary and the participants; the participants are Evelyn Conlon, Taylor Marie Graham, Darene Madott, Michael Mirolla, Tim Struthers, and Billie Travalini.

Clark Blaise is a Canadian-American author of twenty books, and co-editor of seven more; ten of them short story collections, three of them novels, and seven non-fiction works ranging through literary criticism, travel, memoir, biography, investigative journalism and most recently The Cruelest Gift (2016), a medical-memoir of his family’s struggle with inherited diseases. He served as Director of the International Writing Program at the University of Iowa, and founded the graduate writing program at Concordia University in Montreal, now Canada’s largest. He has taught at McGill and Concordia, Columbia, Skidmore, Emory, Cal-Berkeley, Iowa, NYU and Sarah Lawrence. He holds three honorary degrees (Denison University, his alma mater, McGill and Concordia), and has lectured in thirty countries. He is an officer in the Order of Canada, and he holds a lifetime achievement award from the American Academy of Arts and Letters. He is the Board Chair of the Society for the Study of the Short Story, the parent organization of the conference

Maurice A. Lee is a Professor of English, an academic advisor, and a former Dean of the College of Liberal Arts at the University of Central Arkansas (UCA), positions he held until his recent retirement. As a graduate student, he assisted the late Dr. Darwin Turner in establishing the second African American Studies program in the United States at the University of Wisconsin in 1969, with the first one being at San Francisco State University, under the leadership of Dr. Nathan Hare. Continuing similar efforts, he helped to develop the Women’s Studies Program at Temple University, and assisted in developing the African American Studies Programs at Haverford, Vassar, and Bard Colleges, between the years 1971-1985. Final effort in this regard was the development of the Gender Studies program At UCA in 2000. He has been the Director of the International Conference on the Short Story in English since 1994, under the direction of his mentor, the late Dr. Mary Rohrberger, one of the founders of the Society for the Study of the Short Story, the parent organization of the conference. He has written and published short stories, edited books on short stories, and written, produced and published both scholarly texts and articles on the genre. His hobbies are gardening, classical music and jazz, and reading.

Evelyn Conlon short story writer, novelist and essayist is widely translated, most recently into Tamil, Chinese and Greek. She is the editor/co-editor of four anthologies including Cutting the Night in Two and Later On.  She has been writer-in-residence in many places at home and internationally, and is Adjunct Professor with Carlow University, Pittsburgh, MFA.  Her last short story collection, Moving About the Place, 2021, was followed by Reading Rites: Books, writing and other things that matter, 2023, a collection of essays on the life. Telling Truths, a collection on her work, was edited by Teresa Caneda-Cabrera, published by Peter Lang, 2023.

More details on www.evelynconlon.com

TAYLOR MARIE GRAHAM is an award-winning playwright, librettist, director, theatre scholar, and educator who lives in Cambridge, Ontario / Haldimand Tract. She has an MFA in creative writing and a PhD in theatre from the University of Guelph. She works as a sessional theatre professor at universities in Southwestern Ontario and is the Interim Community Engagement Officer at the International Institute in Critical Studies in Improvisation. Taylor has published in Canadian Theatre ReviewIntermission Magazine, Routledge’s Journal of Applied Theatre and PerformanceThe Conversation, and Canadian Literature. Critics have described her plays and operas as “arresting and funny” (The Slotkin Letter), “uncommonly cool” (Mooney on Theatre), “charmingly twisted” (Toronto Star), “powerful, and courageous” (OnStage), “meaningful to audiences of all ages” (Intermission), “darkly evocative” (Istvan Reviews), “psychological, theological, and ornithological” (Our Theatre Voice), “intriguingly oddball” (Broadway World), “skillfully blends dramatic and musical tones” (NOW), “magical” (OntarioStage), “searingly written” (Bill Mandel), and “profound, beautifully crafted” (StageDoor). Her play Post Alice, inspired by four short stories by Alice Munro, was produced at a local venue in Stratford, Ontario in July/August of 2021, then restaged at The Alice Munro Festival of the Short Story in Blyth, Ontario in June 2024. Her 2024 book Cottage Radio & Other Plays, including Post Alice, is published by Talonbooks.  In addition, Taylor has written an essay for the new, third volume of essays about Munro scheduled for publication by Guernica Editions under the editorship of J.R. (Tim) Struthers. Learn more about her at <www.taylormariegraham.com>.

Darlene Madott is the author of nine books, including Dying Times, Stations of the Heart and Making Olives and Other Family Secrets. She has twice won the Bressani Literary Award and has been shortlisted for the Vanderbilt-sponsored Carter V. Cooper EXILE editions award three times, and was shortlisted in 2023 for the inaugural Nona McDonald Heaslip Best Canadian Short Stories award. Her short fiction has garnered numerous literary awards and been widely anthologized, and has been a finalist in Accenti Magazine’s short-fiction competition, on several occasions, most recently in 2021. She is included in This Will Only Take a Minute (100 Canadian Flashes) Guernica, 2022. A lawyer who practised over three decades in Toronto, Darlene’s Dying Times, (EXILE editions, fall 2021) her eighth book, grows out of aspects of her legal background and is a fictional exploration of the last journey. Winners and Losers, her 9th, also explores the journey of life and law, and was published by GUERNICA in spring, 2023. Winners and Losers was named The Miramichi Readers Best of 2023. Her 10th book, Closing Ceremonies (Tales of Abandonment, Betrayal and Consequence), is forthcoming with GUERNICA in 2026.

For more about Darlene and purchase LINKs: https://www.DarleneMadott.com

The author of a clutch of published novels, plays, film scripts and short story and poetry collections, MICHAEL MIROLLA’s publications include a novella, The Last News Vendor, winner of the 2020 Hamilton Literary Award, as well as three Bressani Prizes: the novel Berlin; the poetry collection The House on 14th Avenue; and the short story collection Lessons in Relationship Dyads. His latest poetry collection, At the End of the World, was short-listed for the 2022 Hamilton Literary Award and took second prize for the Di Cicco Poetry Award. His latest short story collection Becker’s World & Other Stories was published in the spring of 2024 (Black Moss Press). In the fall of 2019, Michael served a three-month writer’s residency at the Historic Joy Kogawa House in Vancouver where he worked on the first draft of a novel, The Second Law of Thermodynamics. A symposium on Michael’s writing was held in Toronto on May 25, 2023. In September of 2023, Michael took part in a writers’ residency in Olot, Catalonia. While there, he polished a novella, How About This …?, which is scheduled for publication in September 2025 (At Bay Press). In July 2024, Michael participated in a month-long writers’ residency in Barcelona. Apart from his writing, Michael is the publisher and editor-in-chief of Guernica Editions, a Canadian literary book publisher. Born in Italy and growing up in Montreal, with side trips to Glen Robertson (ON), Gboko (Nigeria), Mount Forest (ON), Toronto, Oakville and Hamilton, Michael now makes his home outside the town of Gananoque in the Thousand Islands area of Ontario.

J.R. (TIM) STRUTHERS is highly respected throughout Canada and internationally by scholars and creative writers for his work as a bibliographer, an interviewer, a literary critic, an editor and publisher of Red Kite Press. To date he has edited some thirty volumes of theory, criticism, autobiography, short stories and poetry over a period, it amuses him to say, of six different decades. Among these titles, published by Guernica Editions in 2020, are Alice Munro Country and Alice Munro Everlasting. Tim has been publishing on Canadian literature for some fifty years, beginning, in 1975, with the first two scholarly articles world-wide on Alice Munro and including, in the past decade, a dozen or more articles on Munro. Recently he contributed a substantial commentary on Munro’s 1986 story collection The Progress of Love to Reading Alice Munro’s Breakthrough Books: A Suite in Four Voices (2024), co-authored by Tim, Ailsa Cox, Corinne Bigot, and Catherine Sheldrick Ross and published by Edinburgh University Press. He has conducted some forty interviews with Canadian writers, including two published interviews with Munro, and has been described by W.J. Keith, FRSC, as “probably the best literary interviewer in Canada.” Recognized for the delight he has taken in all of his publishing activities, and for the enthusiasm he has imparted as a university teacher, Tim organized and hosted the largest celebration in history of Canadian literature and culture: the epic five-and-a-half-day and five-evening A Visionary Tradition: Canadian Literature and Culture at the Turn of the Millennium conference, held in Guelph from 10 to 15 November 1999.

On 31 August 2022 Tim brought to a close a fifty-year university teaching career, including some thirty-seven years full-time at the University of Guelph commencing appropriately for a Canadianist on Canada Day, 1 July 1985. Tim lives in Guelph with his bride of nearly fifty years, poet and short story writer and scholar Marianne Micros, inspired and delighted by the company of their two daughters, Eleni and Joy, and their four grandchildren, Matteo, Rowan, Asher, and Reed.

Billie Travalini’s work has been published in RemnantsThe MothAnother Chicago MagazineLakeview International Journal of Literature and Art, as well as numerous anthologies. Her flash fiction stories, Never Again and Peachy were short-listed for the Ventral Review Award and the Bath Flash Fiction Award, respectively. Her memoir, Blood Sisters, was a finalist for the Breadloaf Prize and won the Lewes Clark Discovery Prize. Her edited work includes: On the Mason-Dixon Line: An Anthology of Contemporary Delaware Writers, Teaching Troubled Youth: A Practical Pedagogical Approach, and No Place Like Here: An Anthology of Southern Delaware Poetry and Prose. She received the Governor’s Award for the Arts (2014); the Delaware Division of the Arts Masters Award in Literature (2018), and the National Federation of Press Women Communicator of Achievement Award, the organization’s highest award (2019).  She teaches creative writing at Wilmington University, advocates for at-risk kids and the mentally ill, and co-founded and coordinates the Lewes Creative Writers Conference, now in its 17th year. You can find her online at http://www.btravalini.com


International Conference on the Short Story in English 2025

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